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The first person to apply colour in his cinematography technique is Roger Deakins. ” in 2000, digital colour grading has globally extended as a standard among filmmakers.
This colour hue trait is also used by the American film director, Wes Anderson, who has been developing a similar kind of approach since his first movie.
Having a significantly visible style, Anderson never fails to hook his audience rather positively.
His themes are always relevant, the characters he creates are easy to relate to, and most importantly, the visuals are easily distinguishable; all of these characteristics work together harmoniously to create Wes Anderson’s distinct dreamlike atmosphere.
The plain dresses they wore to their prom even inspired Rodarte Autumn/Winter ‘14 theme.
Kristen Dunst’s rebelliously girly outfits in “Marie Antoinette” also received controversial comments for its mixed period costumes and modern music.
It was something that’s never been done before in a classical themed movie.
For Wes Anderson, there are certain people who match his standards and constantly help translating his ideas into a perfect visual form.
Having something in common in directing method, both Coppola and Anderson surely have certain trademark to support their fundamental styles.First on the list would be the senior cinematographer, Robert D.